In Yorubaland, many drummers easily lay
claim to coming from a family of drummers. They enjoy saying it so
proudly that they have a drum proverb for it: ‘Iran igun nii jebo/ Iran akala a joku/ Iran baba mi/ Ilu nii lu’.
This means ‘The family of the eagle relishes sacrifice/ That of the
vulture enjoys dead bodies/ But my own family are renowned drummers.
If this is a tradition, Tosin
Olakanye-Olayemi has successfully beaten it. Reason is that the artiste
known more as Ayanbirnin (female drummer) is not from a drummers family;
yet she was established herself as one of the daminant acts in recent
years.Indeed, she could not hit a single stroke until she gained
admission to Lagos State University where she studied Chemical and
Polymer Engineering.
When she was in the third year, her
meeting with a drummer, Alaroye, sparked her interest in the art. She
learnt how to play talking drums from him, and today she has surpassed
Alaroye – in fame and earnings from the trade.
Since 2008, the Ondo, Ondo State-born
lady has been on a break from active performances as she had to take
time off to take care of her kids. She had regular dialogues with her
drum and had time to compose some songs, but it was only recently she
announced her return to stage, as marked by the release of her maiden
album, Ayanbinrin Unveil. Next year, she intends to release the second, alongside the videos of the 11-track Ayanbinrin Unveil.
But her immediate task now is to hold
the Mother-drum Festival and Mother-Drum Golden Awards on December 2 in
Lagos. Coming under the platform of her Mother-Drum Foundation, she says
the plan is to use arts to promote cultural values.
She explains, “I also find it as a way
of giving back to the society even when we come together to celebrate
arts. That is why the theme of the festival is ‘Using Arts to Shape
Value and Attitude about Women.”
She is collaborating with the Lagos
State Council of Arts and Culture, in whose premises in Ikeja the
workshop will hold. She says Beautiful Nubia, Asa, Adunni Nefretiti,
and Black Image are expected to perform at the event which, she adds,
has also been endorsed by the Centre for Black and African Arts and
Civilisation.
At the workshop, she intends to teach women (and girls) how to play the talking drum.
As a mark of her long-term interest in
the arts, Ayanbinrin wanted to study Theatre Arts but her parents did
not support the idea. Having found her way back to her first love,
which they also applaud now, drumming has become her second nature. Her
husband too likes what she does although he does not want to be a
drummer. She moves she says from apala – gangan – talking drum to Iya
Ilu, as her spirit directs her.
She says, “Now, my house is like a drum studio. I play iya ilu mostly nowadays because it is the mother of all drums. It is the pacesetter. “
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