Adobe, the design software giant, recently conducted research to
understand packaging from the designer’s perspective.
Turns out,
designers care about two things:
1) a focus on 3D design and
2) how
quickly a job can be completed so that more content can be created.
There are many tasks a packaging designer will need to consider
during the creative process, such as: How will the packaging fold? How
does my design wrap around the pack? But if you have tools to remove the
grunt work, you have more freedom to explore new approaches and be as
creative as possible. 3D tools have progressed so far that designers no
longer need to understand the science behind the system. These tasks can
be automated, making packaging artwork technically correct, so the
design isn’t compromised during production.
With 3D influencing many aspects of branding, packaging and
experiential design—from virtual reality to highly visualized CGI
renders—there has never been a better time to jump in, says production
specialist and 3D designer Mark O’Donnell, who spent 12 years working
with global brand design agency Elmwood, leading the company’s creative
services division. “Whenever you see something in 3D, it becomes a
tangible object. It removes any interpretation from the flat 2D
concept,” observes O’Donnell. “Three dimensional views instantly show
the true essence of your design. You understand what it is and how your
branding or design is aligned with its packaging form.
Benefits of 3D Software
3D software can revolutionize the way brands handle packaging and
point of sale development. It can shorten the design approval cycle and
save on mock-up and studio photography costs. Brands can also increase
the success rate of product launches by seeing upfront how they will
look in the store. With collaborative software or a simple viewer
application, brands can look at mock-ups on any mobile device and view
and approve a design from anywhere, at anytime.
The 3D applications can work for virtually any type of project. With
3D options now available within traditionally 2D design software, you
can fold up cartons into a 3D shape, create round objects with one or
more labels, automatically warp designs for conical labels, even work on
flexible packaging—all while automatically aligning your design layouts
on screen.
“Using 3D tools, your designs instantly become more considered,”
explains O’Donnell. “For example, when you create a 3D prototype early
on, you give yourself more time to refine and craft your designs
throughout the remainder of the project. You also bring others onboard
much earlier to review the design direction, so the brand’s decision
making becomes a lot easier.”
With speed comes the ability to explore design options and
iterations. With a quick click, the substrate or print finishes can be
changed. The entire application can be shown on the fly from a laptop
during a presentation. O’Donnell once took Esko Studio and Visualizer to
a client design meeting. “We rotated around the packaging concepts on
screen,” recalls O’Donnell. “The client was blown away by the detail and
consideration at such an early stage and signed off right there, with
only minor copy changes as we moved to production. It gave them an easy
way to visualize a real product, without taking that huge step from
two-dimensional flat concepts.”
An Undistorted Look at Sleeves
In the past, some designers have been careful to show concepts that
are easier to produce by suppressing some creativity. For example,
there’s shrink sleeve packaging. As the film shrinks, artwork needs to
be repositioned and there must be compensation for distortion.
“My shrink sleeve tool paid for itself during the first project,
working with an irregularly shaped packaging structure. Designers
typically work with the film manufacturer and printer, who produce a
grid pattern on which you create your design. After running the job
through a shrink sleeve tunnel, you’d have to measure the distortion for
each graphic piece,” remembers O’Donnell. “The 3D shrink sleeve tool
was easy to use and understand. We positioned our graphics around the
pack, and the application did the work for us, allowing us to review and
manage any pre-distortion. Avoiding mock-ups saved a lot of time, and
real-time graphic decisions were made easily.”
Reality Sets In
Designing in 3D has advanced recently with real-time, high-resolution
rendering applications such as Luxion’s KeyShot. Integrating the
software with 3D design applications improves the appearance of physical
goods such as plastics, liquids, metals and glass for realistic pack
shots.
“For years I struggled to get nice glass reflections because you
would need to understand spectral values. Now, there are simplified
workflows that can achieve high-quality photographic results in
minutes,” says O’Donnell. “Realistic pack shots can be created even
before packaging is produced, eliminating the need for expensive photo
shoots of the final printed package, while also creating assets that can
be repurposed for future updates.”
Off the Shelf
In-store visualization lets designers view and interact with
packaging in a virtual retail environment. They can see the product on
the shelf next to competitors, presenting a complete launch including
packaging and displays. It helps test the visual impact of the latest
design.
Clients feel like they’re walking through an actual store and can see
shadowing on the shelf, see random positioning of the product and see
how print effects will be visualized on various materials. Designers
even have the freedom to build their own virtual stores by picking the
flooring, ceiling, aisles and shelf layouts. They can even put on
goggles to experience the store virtually.
With 3D visualization tools, O’Donnell has been able to advance not
only the quality of his creative work and increase speed to market, but
he has also developed his own knowledge of 3D.
“3D has played a large part in my process for delivering key assets
or making decisions throughout the design lifecycle—from conception to
manufacturing, producing final CGI renders that are utilized in
marketing campaigns,” says O’Donnell. “Brand packaging designers who
bring 3D into their workflow will unleash their creativity and never
look back.”
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