It is always a pleasure to unveil a March issue of Vogue,
to herald the start of fashion’s new season in earnest, to dwell on
themes of re-emergence and renewal after a gloomy and (this year
especially) uncertain winter. This month’s Vogue has added personal significance, as its star is no less a force than Naomi Campbell, who makes her cover debut for me as editor-in-chief.
It’s no secret that Naomi and I go back more than half of our lifetimes. We first met on a shoot for i-D
in Paris in
the early 1990s on a day I will never forget. I can recall
her walking into the studio like it was last week. In an Anna Sui dress,
with her Whitney Houston curls, there she was – the most beautiful
woman in the world.
I was a young fashion director and Naomi was already famous well beyond
the industry, but we bonded on sight. After the shoot wrapped, she
invited me to jump on a private plane to Dublin with her – I was due
back in London and had only £10 in my pocket – but that’s just the way
it is with Naomi. A quarter of a century later and she hasn’t changed.
You never know where you’re going to end up.
There has been so much written about her over the years, but I think
many would be surprised to discover how loyal and generous she is. As a
friend, she is kind and very sensitive, yet at the same time she is a
fighter – Jamaican, a buffalo soldier – who stands up for herself. To
me, she will always be a legend, like the last of the silent movie
stars: Greta Garbo, Marlene Dietrich, Naomi Campbell. With all the
flashbulbs, the fashion, the entourages, the jets, the philanthropy, the
red carpets and the world leaders on speed dial, she seems to live at
twice the pace of the rest of us. All the clichés genuinely do apply to
Naomi – you could not make her up and she really is larger than life.
This was the starting point for our cover story – to create an homage to
Naomi’s world. Of course, the photographer had to be Steven Meisel.
When Naomi works with Meisel, she practically becomes a teenager again,
shy and focused, and so it proved during our two-day shoot in New York
together at the tail end of last year. They know each other so well that
they don’t really need words. Dancers came in, Kendrick Sampson (an
actor and activist we both admire) played the role of her lover, and
even her driver was pulled in to orbit around her. I hope you enjoy the
result. It is the story of a real woman – and a genuine icon.
Naomi caps an issue wholly dedicated to putting the Vogue
stamp on the first weeks of spring, whether that’s by celebrating the
women who have defined the Brexit debate, or being granted an audience
with Tracey Emin as she returns with a new exhibition. The crucial
trends are front and centre, of course. Optimistic, fun, colourful and
slightly eccentric – there is plenty of escape on offer within these
pages, whether it’s a leap of the imagination or taking the season’s
best pieces to be photographed on the beaches in LA, or the streets of
New York and London. We live in serious times, but I hope that there is
still room for a little fun. I believe it’s important that there is.
Naomi Campbell's cover debut on British Vogue's March issue is a remarkable moment. Her timeless beauty and enduring friendship with the editor-in-chief make this issue even more special. Keep sharing us your valuable article. Now is the moment to take advantage Hyperpigmentation laser treatment for more information.
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