When origami enthusiast Uyen Nguyen discusses her art, you quickly understand that it is about a lot more than folding paper.
"In many ways it has been
therapeutic," she says. "I find the process of folding paper to be
almost meditative.
"Origami can be used to create incredibly
realistic forms, not just to the likeness of say, an insect, but down to the
exact species of that particular insect with proportions of its body segment
true to real life. At the other end of the spectrum, you can mold paper to
create the most abstract of forms beautiful because of their inherent structure
instead of their likeness to real life forms. As someone interested in both
science and art, I love that origami bridges the two."
Now Nguyen is bringing her passion
to the people of New York City.
For the exhibition Surface to Structure:
Folded Forms, which will take place at New York's Cooper Union from June 19 to
July 4, Nguyen has gathered more than 130 works from 88 artists around the
world.
The exhibition includes adorable rabbits
folded by Malaysian organist Ng Boon Choon, and a realistic rendering of a
field mouse by American Bernie
Peyton.
But it also includes "St. Michael -- The
Archangel", a more ominous work by Vietnamese origamist Tran Trung Hieu.
It shows a winged angel carrying a sword.
The exhibition marks the 55th anniversary of the 1959
exhibition Plane Geometry and Fancy Figures -- the first origami
exhibition held in the United States, which also took place inside Cooper
Union.
So far Nguyen has raised more than $24,000 of the $32,000 she
needs to cover the cost of shipping the works, organizing security and building
display cases.
Collectively the works demonstrate how origami artists are pushing the
boundaries of technique and style.
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